Sunday, August 28, 2011
Rarely have we been as confused, flabbergasted and frustrated as we were by FURY OF THE WOLFMAN even though we went into this one with our eyes wide open, knowing full well that Naschy himself hated the film and decried what was done to his script. We weren’t completely surprised but it is still a kick in the head to watch the film ramble itself apart. Trying to figure out what might have been intended is kind of fascinating which probably explains why we babbled for over two hours about what has to be labeled the weakest of the Waldemar Daninksy films. We attempt to understand what the hell is happening as ideas are brought up and dropped, characters slip in and out of the film randomly and crypt orgies are popped indiscriminately throughout the second half. Plant monsters, werewolf sex, Nazi scientists and the question of crazy love possibly being ‘true love’ are all topics that we discuss as we navigate this muddled misadventure. You'll hear the film start to take its toll on us near the end as our stated goal of mentioning the good things in the movie begins to wear us down. But there is a female werewolf! Strap in and join us if you dare! The email address is firstname.lastname@example.org and we'd love to hear from you.
NaschyCast #13- LINK
Saturday, August 27, 2011
For the first time in a while we give you a bonus episode! Now that we've completed a full year of podcasts Troy and I take a breath, relax and look back at the dozen Naschy films we've covered so far. We rank them from worst to best and debate the relative merits of each film once again in relation to Naschy's career and our own reactions to them. Troy's hatred for mummies still shines as his largest film-lover's failure but I have assurances that if I keep forcing him to rewatch VENGEANCE OF THE MUMMY he will eventually relent. The hardest part is propping open his eyes with the little toothpicks.
We also take a look into our mailbag and read out a few recent missives. It's a lot of fun to hear from our fellow Naschy fans and we learn some amazing things from this batch of emails. Keep'em coming to email@example.com and let us know if you'd rather not have your words read out on the show. Thanks!
NaschyCast 12.5 LINK
Monday, August 22, 2011
For episode #12 we lurch back into the 1980s for Naschy’s horrific variation on a couple of classic old stories. Of course, since it’s filtered through Spanish Horror the nastiness is severe, the relationships complicated and the violence bloody. With PANIC BEATS we see that Naschy’s love for classic stories ranges wider than just monster films or stereotypical horror fiction. His openness to different styles of imaginative tales is one of the things that made him so versatile a filmmaker able to make several different kinds of films. This movie shows him moving from the creature features of his 1970s period into a more a intricate form of thriller he may have hoped his career would gravitate toward as he aged. This, of course, was not to be, but this film shows that he had the capacity to craft such tales and it is disheartening that he rarely got the chance to make more with this kind of creative control.
In a nice change and for the first time Naschy plays a man called Paul, which allows Troy and I to talk about him as director, actor, writer and icon without flipping between different names and confusing each other. This episode is looser than our usual show. We range a little wider than normal and don’t stop ourselves from traveling down some tangential paths when they pop up. I had no idea I would include a mini-review of CANNIBAL TERROR in an episode of NaschyCast but Troy brought it up and I just had to unload. I suspect this might make things more fun but if not I’m sure listeners will let us know.
Employing his usual modus operandi the mighty Naschy beds multiple women and plays more than one role which gives his fans even more to love. As with so many of his scripts it’s the female characters that get the most to do. We see nearly every type of emotion from four actresses as they cope with medical problems, plot evil acts, grieve, bemoan their dire fates, demand what’s coming to them and suffer the consequences of their actions. From Naschy we see the evil that men do and the harsh retribution they that deserve and dish out. Strap on your armor- its gonna be a bloody knight! Drop us a line at firstname.lastname@example.org to set us straight or defend your love of CANNIBAL TERROR.
NaschyCast #12 LINK
Thursday, August 18, 2011
Oh my goodness! Naschy tries his hand at the giallo genre and hits one out of the park. In this episode we celebrate and analyze this thriller with more twists and turns than a mountain road. BLUE EYES OF THE BROKEN DOLL is a stylish but sleazy murder mystery sure to keep you guessing up until the final scene. Naschy places his character Gilles in a bad spot as a man with personal demons of the mind and a nasty past and in a good place surrounded by a group of beautiful sisters. But is it a good place or a dangerous spot? When the cast features four of the most beautiful ladies working in Euro-Trash film in the early 1970s it’s a good place for us at least! Naschy squeezes udders, chops wood, rakes yards and does other things that might be considered sexual metaphors while the color red dances through his life. How many of the siblings will Gilles seduce? How many times will he be threatened with violence? How often will he have to take off his shirt to get his hard work done? Oh my!
Troy & I sing the praises of the high quality work involved and lament (repeatedly) the execrable score that attempts to undermine nearly every one of the story's emotional highlights. If a film can be said to be deeply flawed but still brilliant then BLUE EYES OF THE BROKEN DOLL fits that description. As we dissect the film the attentive listener might ask many questions, such as - How many times will I mispronounce Gilles’ name? How often will the Blind Dead movies be mentioned? When will we break down and do a podcast on I HATE MY BODY? What is the connection this film has to both Hitchcock and the Coen Brothers? The answers to some of these are waiting within. I won't tell you which ones but you can download the show from HERE . You can also contact us at email@example.com and subscribe through iTunes. Thanks!
NaschyCast #11 LINK
Monday, August 15, 2011
After putting it off for months we finally take aim at one of Naschy’s best known and most beloved Waldemar Daninsky tales. Mostly seen in the US on television under its alternate title of THE WEREWOLF VS THE VAMPIRE WOMEN it’s a film near and dear to fans for its sexy bloodsuckers as well as its monster battle. It sports the usual mix of romantic angst, tragic fate, and gory throat ripping violence all whipped together into a heady, unique creature feature that could only have been produced in the swinging 70s. While far from perfect it has more than enough horror entertainment value to keep most anyone staring at the screen – often in amazement and sometimes in complete confusion. But as with most Naschy scripts the story does eventually make a sort of mad sense and this scary suspense tale finds multiple ways to satisfy its audience.
This was the first time Naschy worked with director Leon Klimovsky and his skill makes WEREWOLF SHADOW a truly mesmerizing visual effort. He’s able to craft a fantastic dreamlike/nightmarish feel to many sequences that give the entire film a haunting quality. The cast is strong and the lovely ladies are very good but I’m really surprised old Waldemar only manages to sleep with one of them. It’s like he wasn’t even trying! The same can’t be said of his acting performance, though. Naschy is very good throughout with his ability to emote getting better and better as he learned his craft on the job. His earnest work here points toward the great work he would do over the course of the next few years.
Among the astonishing things we learn in this episode is that there is more than one way to kill a vampire; that neck meat is the tastiest kind of meat; that mini-skirted women roam the French woodlands at all hours of the night; that full moons don’t necessarily come in threes and for some reason Satan fears werewolves.
Please drop us a line at firstname.lastname@example.org and tell us how we're doing.
NaschyCast #10 LINK
Thursday, August 11, 2011
It’s an October surprise you can be happy about! Troy and I return briefly to let you in on some Naschy news and to expand on our ideas about COUNT DRACULA’S GREAT LOVE. That’s right! You only thought we’d talked enough about that film but after we recorded episode 8 new information came to light that clarifies some of the problems of its production. Its fascinating stuff and we’ve added a couple of other good things to make this .5 show a fun listen. We can be reached for comment at email@example.com and the first five minutes of the forthcoming documentary called THE MAN WHO SAW FRANKENSTEIN CRY can be seen at this LINK!
As usual the show can be downloaded from HERE or from Podcast Alley or iTunes. Check it out! You’ll be glad you did.
NaschyCast 9.5 LINK
Monday, August 8, 2011
A spoiler free Naschycast? How is that even possible? Well…...it’s complicated. October brings podcast number nine (number nine) focusing on our first 80s film from Mr. Molina. Described by Nashcy as “a howl of anguish, a painful catharsis which finally liberated me from long repressed phobias and obsessions” HOWL OF THE DEVIL is a harsh stab of cinema violence directed at his critics and his own alleged failings and comes on like the meanest version of horror that he could muster. A fascinating film, full blooded in its depiction of human cruelty it serves as a fascinating look back at Naschy’s career up to that point and a dark goodbye to that fertile period as well. An essential film if a deeply flawed one.
Please let us know what you think at firstname.lastname@example.org and remember the show is available at the iTunes store as well as at the link below.
NaschyCast #9 LINK
As HOWL OF THE DEVIL is a hard to find title we’ve decided to be as careful as we could in our discussion so others can discover the many surprises it holds. This is a film with a lot to say even if sometimes what it says might not be pleasant or kind. Adding to the discussion we have a surprise guest!
Wednesday, August 3, 2011
Proving that there are no obstacles that we won’t overcome to bring you Naschy film discussion here is number Ocho. One of the most talked about of his non-Daninsky films COUNT DRACULA’S GREAT LOVE is an amazing mix of the clunky and the sublime. In a way, this film is a succinct summation of all that is usually praised in a Naschy film and all that is usually criticized. A mangled mess of a story with elements that don’t come together it still shines as an atmospheric horror piece with some truly brilliant moments that often distract you from a script that seems to be running in two directions at once. This film might be the perfect Rorschach test for fans- What do you remember from the film when it’s over?
We discuss vampire tears, non-existent sequels, the variable speed of vampirism, mad voice-overs, active vs. passive film viewing and the relative merits of a script with too many contributors.
You will find the sound quite variable as I had to cull the entire show from multiple sources. I apologize for the occasional distortion and changes in sonic quality. The uphill battle to get these shows made is often surprising for us untutored computer illiterates. Drop us a line at email@example.com if you please!
NaschyCast #8 LINK
Tuesday, August 2, 2011
Here’s an unexpected surprise! Let’s call this the first ‘extra’ show for the NaschyCast with no promises that we’ll do this kind of thing often. We decided to record this brief episode to answer a few questions, ask for listener input on a few topics and tell everyone about a friend of the show’s new Spanish horror internet radio program. But the biggest reason for this bonus bit of audio babble is to let everyone know that the uncut version of NIGHT OF THE HOWLING BEAST is out there! It may be available only on the bootleg market but, as we relate, it contains far more than you might have guessed. We were just thrilled to be able to see it. Listen closely and you’ll hear Troy’s cat Flex enter the room and make his presence known.
Drop us a line at firstname.lastname@example.org to let us know what you think.
NaschyCast #7.5 LINK
Monday, August 1, 2011
This time out we venture back to the 16th century for a dose of religious persecution during one of history’s nastier periods of paranoia. Who’s a witch, there’s a witch, everywhere a witch witch!
Taking his place in the director’s chair for the first time Paul Naschy serves up a harsh look at human nature by way of fear, torture and hatred. Putting his well researched stamp on a sub-genre made financially viable by Vincent Price in WITCHFINDER GENERAL and made gorily disturbing by THE MARK OF THE DEVIL this film serves up a complex look at what might drive someone to embrace darkness. Based on an actual historical event, Naschy spends a lot of time getting the details right and this realism pays off.
The film boasts an excellent cast able to bring both the over the top elements and the more subtle shades of character to play. INQUISITION is one of the most authentic looking of Naschy's films and the script shows that when working without the usual supernatural elements his stories retain their power and possibly even gain deeper relevance. Another winner from Naschy but certainly one that is harder to enjoy when it dips into graphic, matter-of-fact torture. Typically enough for the podcast, it becomes a contest to determine which is more gruesome – the nastiness onscreen or my mangling of both Spanish and French names.
Remember- we can be reached at email@example.com and you can subscribe through iTunes.
Drop us a line.
NaschyCast #7 LINK